Class Files and Supporting Documents
Supplemental Supply List (downloadable Acrobat PDF only) -
For all landscape classes and Drawing into Painting. Shows pictures
and diagrams of certain supplies that are not illustrated on the
regular supply list.
The
Art of Simplification - Simplifying nature's complex
imagery is perhaps the landscape painter's greatest challenge.
Optimal
Conditions for Site Selection - As appearing in American Artist Magazine, July 2000.
The
Relationship Between Value and Color - How do artists use value and color to represent natural
light? What is the secret to bringing out color's intrinsic hue?
Analogous
Harmony and the 'Envelope of Light' -
This key color principle can be used to unify the light in your paintings.
A Rich and Variegated Surface - Paint isn’t just a means to an end; it is the substance of our creation and is imbued with all our emotions and thought processes. How is a variegated surface achieved.
The
Limited Palette - The benefits
of using a limited range of color. Understand the cool and warm
varieties of each primary, how to arrange colors on your
palette, and why black should not be used
as a universal darkening agent.
Understanding Clouds and Skies. Clouds appear amorphous, but there are quite structural — if you know how to look at them. Explore their underlying mass with this simple, but challenging drawing exercise.
Value
Divisions in Landscape Painting - Tips
on how to see the broad value divisions in the landscape.
Starving artist's guide to photographing artwork with a digital camera - Four basic steps for improving results.
What
Are Alkyd Colors? - Winsor & Newton's Alkyd
colors offer all the versatility of oils, but none of the undesirable
qualities of acrylics.
Anatomy
of a Plein Air Painting (downloadable Acrobat PDF
only) The most commonly implemented cues for defining space are
value differences and overlapping forms. But there are several
others .... |